Talk about monitor and printer profiles

We’re always hearing people saying that their prints don’t come out as they expect or that their images as projected at the club don’t look like they did on their monitors at home. In episode 213 of the Shutters Inc podcast, guest Les Walkling talks about profiling of monitors and printers. While he doesn’t go into technical explanation of how to do this he does make it crystal clear why we have the problems that we do in this arena. It’s well worth the listen and if you don’t want to take the time to listen to the whole podcast, the section from 10:15 to 37:30 is the part in which Les talks about this.

Visit Shutters Inc – episode 213 to download the podcast in MP3 format, or listen to it using the web-based player on that page. On this page you will also find the show notes including links to the articles on his site that Les mentions during his talk.

Florian does it again

A few months ago we announced that our member Florian Breuer’s fantastic night-time panorama was one of the twelve finalists in a competition. Although the image went on to be one of the top three, it sadly didn’t win. We learned today though that the image has been shortlisted in the Open Competition Panoramic section at the Sony World Photography Awards.

Congratulations to Florian for this achievement and we hope that his image will go on to achieve further honours in this international competition.

UPDATE: Mashable has posted 43 Breathtaking Photos You’ll Never Forget from the shortlisted images and Florian’s image is one of them.

How to Scan Your Film Using a Digital Camera and Macro Lens

This article explains in some detail how to use your DSLR with a macro lens to scan film negatives, and slides too I suppose. This technique can achieve higher resolution than even drum scanners by simply taking multiple shots and stitching them together using panorama creation software. Read the article

Was That Photoshopped? It Doesn’t Matter!

At Digital Photography School, Rick Berk writes;

Often times when looking at an image, people will ask “Was that Photoshopped?” or “Did that scene REALLY look that way?”  They say this as if the camera, left to its own devices, is going to display an unedited, “truthful” image.  The truth is, that any image coming out of one of today’s digital cameras has been manipulated.  The only question is how.

Read the article

Updating your camera’s firmware

Tools, Hammer, SpannerOne of our members asked how to do camera firmware upgrades.

First a caveat. Updating firmware carries a slight risk of malfunctioning that could render your camera inoperable. It is therefore widely accepted that you should only install a firmware update if it specifically corrects a problem you have or provides a new feature or performance increase you can benefit from. If your camera is working fine now then you may just want to skip updating the firmware.

There is no generic way to describe how to install firmware updates as this will differ from manufacturer to manufacturer and can even differ from device to device from the same manufacturer.

It is my experience (from using many electronic devices, which is what DSLRs are) that wherever a manufacturer provides firmware updates they will also provide explicit instructions on how to install them. It is very important to follow these instructions to the letter or risk "bricking" the device. If this happens you will at least need to have a service centre return the device to its factory default state, and there might be cases where a device needs to be returned to the factory to have this done. In isolated cases there might even be no way provided for the manufacturer to do this, meaning the device will permanently be nothing more than an expensive paper weight. However this is unlikely to be the case for digital cameras and usually affects cheap devices where manufacturers ignored this need to cut design and manufacturing costs.

If you think there may be a firmware update available for your camera here is what you should do.

Visit the support section of the manufacturer’s web site and look for a section that provides downloads. Once there you may find a list of available downloads to look through, or you may have to enter or select some choices to narrow down the camera you have.

As most of our members have either Canon or Nikon cameras, I have provided some specific info on this for these cameras. Bear in mind that these refer to web sites that may change in future, which could mean these no longer match what they are at the time of writing.

  • Canon – select your country, product and model in the For you section and click the Go button. On the next page select the Firmware download type (click the circle so it gets a black dot in it) and a list of available firmware for your camera will be displayed. Find the latest update available for your camera, paying attention to whether there are different versions for Mac and Windows computers and click on it. You will now see a page with details of what has changed, a legal disclaimer and a button to accept and download the update. The download file is a ZIP archive that includes both the firmware update and instructions on how to install it.
  • Nikon – page through the list to find the latest update available for your camera. Click on it and you are presented with a page explaining what features have been changed, how to verify which version you currently have, instructions for upgrading, a legal disclaimer and buttons to download the updates for either Mac or Windows computers.

If you feel uncomfortable with performing such an upgrade yourself you should approach a specialist camera store such as Orms who will be able to advise and possibly assist you. If they are unable to perform the upgrade for you they should be able to refer you to a service centre that can.

2012 November Competition Winners

Here are the winning photographs from our November competition for which the set subject was Graveyards.

Set Subject – Projected

1

On the Other Side

Ronelle van Loggerenberg

Misty Morn

2

Mourning Sun

Rachell Gemmell

Misty Morn

3

So Many Deaths

Ronelle van Loggerenberg

Misty Morn

Open – Projected

1

Dunes at First Light

Rosie Burton

Misty Morn

2

Beauty in Devastation

Laurette van der Merwe

Misty Morn

3

Golden Fields

Roger Lee

Misty Morn

Set Subject – Prints

1

Babes in Heaven

Nettie Warncke

Misty Morn

2

Graveyard Storm

Roger Lee

Misty Morn

3

Crosswind

Rachel Gemmell

Misty Morn

Open – Prints

1

Jagged Sunset

Roger Lee

Misty Morn

2

Rust in Chinese

Antenie Carstens

Misty Morn

3

Light and Shade

Nettie Warncke

Misty Morn

The full list of projected image scores can be found in this PDF document.

Should you be shooting RAW?

Elliot Hook writes on the Digital Photography School blog.

You can find many articles online discussing the benefits of shooting in RAW and probably an equal number full of counter arguments stating that it is possible to obtain equally good results shooting in JPEG.  Whilst that is definitely true, I want to discuss the reasons that pushed me to exclusively use RAW in the hope that it can persuade others to do the same.

Read the full article