The author is clearly a fan of mirrorless cameras, beginning the article with

Everytime someone says that a DSLR is the only way to get the best image quality, somewhere, a Kitten dies. Stop with the misinformed lies people! READ ON!

Having recently purchased a FUJIFILM X-E1 I’m impressed by the image quality I’m getting from it, considerably better than I get from my Canon 30D DSLR. Though to be fair, the 30D is seven year old technology and I have better quality lenses for the X-E1. But what isn’t explained by differences in image quality is how much more fun I’m having with the mirrorless camera. I really don’t miss the extra bulk of my DSLR.

How mirrorless cameras are creeping upon the DSLR territory

LensTag is a new web site that offers a way to register ownership of your cameras, lenses and other photo gear that has a serial number. If your gear is stolen you can indicate this and when buying used gear you can look up the serials to see if someone else has registered it stolen. This sounds like a great idea and you might want to make use of it. Besides the web site there are also apps for your iOS or Android device, letting you access the registry wherever you may be.

In the days of film aspect ratios were fixed by the camera and film format; while this is true of some digital cameras, newer ones allow you to choose from a few aspect ratios to shoot in. Add to this the fact that we have easy, infinite control over cropping during post-processing and aspect ratios become another factor in the creative choices we can make when creating images. The article linked below looks at some common formats and explains why we might choose them.

Aspect Ratio: What it is and Why it Matters

I see many newer photographers asking in forums, whether they have to use one of the common or standard formats. The answer is no, you can and should embrace free-format cropping that lets you make the crop that best suits an image. Sometimes images even lend themselves to different crops; you might find that you want to create several different versions of the image and that’s fine too.

On The Phoblographer, Ibarionex Perillo writes,

One of the things that I share with my students about the practice of photography is the role of “the editor”. And by that I don’t mean the software that one uses to massage a digital photograph or even the person sitting at the computer working the mouse or the stylus. Rather, I am referring to the voice in the head that makes the decision of what’s good or bad, what works or doesn’t work. It’s the voice that’s meant to guide me as to whether I’m walking the right creative path or that I’ve lost my direction and have become tangled in the burrs and weeds.

Read the full article.

We’re always hearing people saying that their prints don’t come out as they expect or that their images as projected at the club don’t look like they did on their monitors at home. In episode 213 of the Shutters Inc podcast, guest Les Walkling talks about profiling of monitors and printers. While he doesn’t go into technical explanation of how to do this he does make it crystal clear why we have the problems that we do in this arena. It’s well worth the listen and if you don’t want to take the time to listen to the whole podcast, the section from 10:15 to 37:30 is the part in which Les talks about this.

Visit Shutters Inc – episode 213 to download the podcast in MP3 format, or listen to it using the web-based player on that page. On this page you will also find the show notes including links to the articles on his site that Les mentions during his talk.

This article explains in some detail how to use your DSLR with a macro lens to scan film negatives, and slides too I suppose. This technique can achieve higher resolution than even drum scanners by simply taking multiple shots and stitching them together using panorama creation software. Read the article